In honor of Pesach (Passover) earlier this month, we’re highlighting a major conservation treatment for Temple Emanuel, located in Grand Rapids, Michigan. The Conservation Center’s team worked tirelessly on-site and in our laboratories to help restore a massive 1,000 square-foot mural that covered the entire expanse of the rear wall of the synagogue. Painted on multiple lightweight wood panels by the Swiss-born American artist Lucienne Bloch (1909–1999), this modern mural stands as a testament to a dynamic time in religious architecture that aimed to keep up with societal trends in art and construction.
I Can See Clearly Now: Bringing a Family Heirloom Painting Back to Life
When The Conservation Center encounters an heirloom that has extraordinary sentimental value to our client, we always like to learn more about its history and the meaning of the piece for the family. Recently, Mary Anne Keane brought us a reproduction of Jean-François Millet’s (1814–1875) The Angelus that was on display in her living room. “Ever since my childhood, I’ve always had fond memories of this painting hanging in my grandparents’, and eventually my parents’ home,” said Mary Anne. “After finally inheriting The Angelus, I realized that if I didn’t take good care of the artwork now, though it had made it a century so far, it would not be around much longer for my family to appreciate.” Mary Anne also began investigating its provenance to better understand the origin of the piece.
Slide Show: Deinstalling and Examining Lucienne Bloch's Epic Mural
In 2012, significant leaking from the roof caused severe water damage of the plywood panels, causing extreme warping, staining, and delamination of the veneers from the panels. The mural itself, which was painted using water-soluble paints (something similar to gouache), started to drip down across the panels as soon as water entered the space. Devastated, Temple Emanuel contacted The Conservation Center to perform an on-site assessment to best determine how to conserve Bloch’s work. Years of constant use and handling of the doors and tracks around the mural had also caused issues beyond the water damage—fingerprints had darkened and smudged areas of the paint, to the extent that there were significant losses that needed to be addressed. There was also a thin layer of grime that needed to be removed from the panels. However, because of the nature of the paint used, most methods of cleaning would strip away the design. Eventually, six panels came back to The Center’s lab in Chicago to undergo treatment.
Gene Tunney, Portrait of a Legendary Boxer
"Boxing is what you did, not what you are." That's what Nobel Prize-winning author George Bernard Shaw (1856-1950) once said to the legendary heavyweight champion, Gene Tunney (1897-1978). Gene Tunney was recently introduced to The Conservation Center by way of his son, Jay Tunney, when he brought in a beautiful portrait of his father painted by family friend and Irish artist Sir John Lavery (1856-1941) in 1928. While Gene Tunney's heart was in boxing—a fighter Muhammad Ali called "the greatest of the old-timers"—the painting does not depict what you would traditionally expect to see in a portrait of a tough, prominent athlete.
EXPO CHICAGO/2014 Highlight: "Jazz Singers," Archibald J. Motley Jr., 1934
Jazz Singers is on view at The Conservation Center's Pop-Up Lab @ EXPO CHICAGO/2014 (Booth 113) from September 18–21.
Archibald J. Motley was an African-American painter who is considered a major contributor to the Harlem Renaissance and New Negro Movements. These movements focused on the cultural shifts that took place after the abolition of slavery, resulting in an overt racial pride that promoted intellect and the production of literature, art and music. These new endorsements of the African American culture were to combat the pervading racism and stereotypes of the time.
"A Day in the Life" at The Conservation Center: Summer Edition
This year’s cool Chicago summer months flew by fast, but The Conservation Center has been brimming with activities. Our warehouse currently has a record-breaking 7,000 pieces currently in storage, waiting to be conserved--keeping our expert conservators challenged by exciting new projects that cross many disciplines. Our "A Day in the Life" photo essay in January allowed readers a behind-the-scenes peek into The Conservation Center team at work. We’ve once again compiled a series of candid images, capturing a slice of daily life in our work space.
Cleaning The Merchandise Mart's Epic "Merchandise Around the World" Mural
The Merchandise Mart, towering 25 stories at its highest point and occupying four million square feet, rests along the Chicago River as the epicenter of downtown Chicago life, culture, media, and business. Finished in 1930 and massive in its construction, The Mart serves as a monument to early 20th-century merchandising and architecture. Even after more than 80 years, this Art Deco landmark continues to be a leading retailing and wholesale destination, attracting people from all over the world.
The Unicorn Gallops Again: Restoring a Truly Fantastical Painting
A whimsical painting recently appeared at The Conservation Center and caught the attention of our staff members. Titled Galloping Unicorn with Rainbow, this playful work (artist unknown) features exactly what it portrays: a joyful unicorn riding on an infinite rainbow. Through the conservation process, we uncovered a beautiful story behind this piece.
Paint It Mick, Andy: A Private Collector's Very First Acquisition
Sometimes in life, a piece of artwork takes you by surprise and before you know it, you can’t live without it. Such is the case for Mark, a private contemporary art collector in Chicago, who is also a friend of The Conservation Center. Mark began collecting art in the early 1980’s while living in New York City. He recently brought his very first acquisition from “way back when” to The Center to be reframed—and the piece Mark brought us has such a heartfelt story behind it we couldn’t resist sharing.
Expect the Unexpected: Recent Arrivals at The Conservation Center
On any given day, taking a walk through The Conservation Center’s 25,000 square foot facilities, with a 10,000 square foot storage space, is always quite an experience—because you’ll never know what kind of artworks and cultural objects you might encounter. Since our dedicated staff members are all art enthusiasts here at The Center, we love geeking out at the amazing items we work on every day. This spring, we have had the pleasure of either conserving or preserving some unexpected pieces. We’ve compiled a series of visual highlights documenting what makes The Conservation Center such a delightful place to work.
Uncovering a Signature, Bringing an Artist to Light
Last spring, a rather enigmatic painting titled Portrait of a Man was brought to The Conservation Center in need of restoration. The owner, Andy Boyden, had purchased the piece from an estate sale while traveling in Liverpool, England. “I was attracted to the painting because it had the feel of an Old Masters painting. I loved the eyes, the sitting, the intense expression of this gentleman, and as an admirer of the works of Rembrandt van Rijn, I wanted to find out more about it.”
"A Day in the Life" at The Conservation Center
At The Conservation Center, we're passionate about caring for fine art and artifacts from around the country, right here in Chicago. So we thought what better way to show off what we do best by giving you a close-up look of "a day in the life" at our workspace through a photo essay, shot by two photographers in different styles. There are treasures and intimate moments everywhere to be found. C'mon in!
A Renewed Appreciation for Frank Zappa
What happened in 1961? John F. Kennedy was sworn in as the 35th president of the United States; “Will You Love Me Tomorrow” by The Shirelles was a #1 hit; and the non-dairy creamer was one of the greatest inventions of the year. It was also the time when a budding young musician named Frank Zappa discovered his artistic creativity and painted Horny. More than five decades later, the painting made its way to The Conservation Center, where we restored the masterpiece to its original glory. More on the “Mother of Invention” and how we conserved his work.
TCC Restores a Treasured Cliff Dwellers’ Painting
John Warner Norton, a charter member of The Cliff Dwellers, became one of the most accomplished and sought-after muralists in Chicago and across the United States by 1920. Earlier, however, in 1910 as Norton’s career and The Cliff Dwellers were both newly beginning, one of his first commissions titled "Navaho" became one of the private club’s earliest acquisitions of art. "Navaho" was recently conserved by The Conservation Center.
Before & After Stories
The Conservation Center's Services During EXPO CHICAGO
Consolidating a Flaking 17th Century Panel Painting
Portrait of Thomas Fox
A Portrait with a Problem
This portrait was one of a series of artworks brought to The Center after a destructive home fire. The painting showed signs of severe fire-related damage: the
ordeal left a heavy, dark layer of oily and acidic soot on the surface, obscuring the painted surface completely. Additionally, the stretcher had been charred, and undulations were present throughout the canvas.
Horses, Houses, and Honored Ancestors
The peoples living in what we today know as The People’s Republic of China have been making art for centuries. Our personal archives can hardly hope to present a complete picture of Chinese art history, but we have been graced with some excellent examples of artistic eras and traditions, spanning in some cases thousands of years.