Lorin remembers the day he found the photograph in the early 1990s. After lunch with his parents - "at the new version of the Belden Deli" - they made their way to a garage sale in the gymnasium at Francis Parker School in the Lincoln Park neighborhood of Chicago. Lorin recalls, "We walked into the gymnasium, and I saw this photo of a ballet dancer in a ratty wooden frame. It had a $5 tag on it."
Even when they may seem simple, almost every treatment carried out in The Center's laboratory is a collaborative effort between different conservations and departments. This photograph, "Portrait of George Ramige" is a family antique and arrived in stable condition but with age-related issues. A reinforced photograph housed in an antique frame, this artwork was treated in three of our departments; Works of Art on Paper, Furniture, and Custom Framing and Display.
One hundred twenty years of dust, grime, soot, and age - the early twentieth-century membership photographs from the Chicago chapter of the Scottish Rite showed their years. The photographs were taken and developed by the Gibson, Sykes & Fowler studio, one of Chicago's earliest photography studios that opened circa 1860.
Antique photography presents a challenging set of condition issues for any conservator. They are inherently delicate and often have significant inherent vices. Inherent vice - also known as an inherent fault - is the object's likelihood of deterioration because of the qualities of the materials initially used, not because of anything that happened to the artwork during its lifetime.
How to preserve a personal photograph collection and the history it represents.
Published biannually, Luxury Portfolio magazine features the latest luxury perspectives on Real Estate, Design, Travel and Lifestyle. The latest issue features “Picture Perfect” written by Lisa Klein, an interview with our CEO Heather Becker discussing how to care for your photography collection.
Our conservators love to work on pieces that showcase our city’s extraordinary history. It was a treat for our Paper Department to work on a series of twentieth century membership photographs from the Chicago chapter of the Scottish Rite. The photographs were taken and developed by the Gibson, Sykes & Fowler studio, one of the Chicago’s earliest photography studios that opened as early as 1860.
The Center has conserved and digitally replicated everything from family albums, all types of journals, archives, letters, and rare or cultural materials that are irreplaceable. This story focuses on how The Center assisted a client with creating two digital and archival scrapbooks that documented the original material from personal memories and events. The custom made digital scrapbooks were then bound in leather with custom designed clam shell boxes for protection and safe handling. This is an example of how The Center continually strives to save, preserve, and protect works - whether a family heirloom or a rare work of art.
For most people, the top drawers of their bedroom dressers are reserved for mismatched socks, so it was a delightful surprise for Rick Eisenstein to find a 97-year-old photograph rolled up in his father's old dresser drawer. "When he was in the hospital, I was looking for some clothes to take to him and came across this rolled up picture," Rick explained. "His parents were very important to him--with that being said, he was not a very sentimental person and kept very few things from his younger days." This photograph, however was special: his father kept it for nearly 60 years. Rick made a decision to bring the picture to The Conservation Center for examination and conservation.
“This is an important piece of our family history,” commented Cindy Egoroff Alexander while discussing a portrait of her grandfather, Emil Egoroff. Cindy and her family recently entrusted The Conservation Center to treat and reframe a black and white photograph of Emil. “We know very little of our grandfather’s life in Russia,” she explained, emphasizing how precious the few details they uncovered were to understanding and remembering her family’s past. Cindy graciously shared the history passed down through the family with our team, shedding light on the story behind this handsome portrait.
One of the misconceptions concerning work performed at an art treatment facility such as The Conservation Center is that an object or a piece of art must have significant value on the market to qualify for professional care. This is simply not the case. While many of our clients have high-end pieces that belong to large-scale collections and museums, our conservators also specialize in treating family antiques and heirlooms that have sentimental value.
Family heirlooms connect generations in a deep, personal way. From the handed down bible and grandmother’s knitted quilt, to a late 1800s baptismal gown and photos of a relative going off to war—anyone who has found or kept historic pieces in the family knows how moving they can be. These treasured items, passed down through the decades, provide insight into the lives of our ancestors and a richer understanding of our family's history.
There are few rites of spring more satisfying than the annual clean. And while spotless living spaces make a house a home, many of us unfortunately have to use harsh chemicals and solvents to achieve that goal. The application of products found under the kitchen sink can lead to chemical reactions on the surface of art objects that can prove to be quite serious, resulting in detrimental losses that are usually so much greater than the reward of a home cleaning approach. When it comes to caring for your art and antiques while freshening up around the house, we strongly advise our readers to adhere to the “DDIY” rule—Don’t Do it Yourself—and leave the job to professional art conservators.
This year’s cool Chicago summer months flew by fast, but The Conservation Center has been brimming with activities. Our warehouse currently has a record-breaking 7,000 pieces currently in storage, waiting to be conserved--keeping our expert conservators challenged by exciting new projects that cross many disciplines. Our "A Day in the Life" photo essay in January allowed readers a behind-the-scenes peek into The Conservation Center team at work. We’ve once again compiled a series of candid images, capturing a slice of daily life in our work space.
On any given day, taking a walk through The Conservation Center’s 25,000 square foot facilities, with a 10,000 square foot storage space, is always quite an experience—because you’ll never know what kind of artworks and cultural objects you might encounter. Since our dedicated staff members are all art enthusiasts here at The Center, we love geeking out at the amazing items we work on every day. This spring, we have had the pleasure of either conserving or preserving some unexpected pieces. We’ve compiled a series of visual highlights documenting what makes The Conservation Center such a delightful place to work.
Whether a corporation’s art collection is a curated investment, a donation from an art-loving CEO, an act of community connection, or a trove of archival material, keeping it in good condition requires the knowledge of experts. The Conservation Center has a long history of caring for corporate art holdings in four categories: disaster response, re-housing, storage, and display.
This decorative hand-painted Esther scroll arrived tightly wound inside a beautiful metal case. In its fragile condition, the scroll could sustain even more damage if continuously rolled and unrolled from its case. Therefore the preservation challenge was to find a way to appreciate the scroll, but not damage the document itself. Digital reproduction was recommended as a solution to this problem, so the original could remain in the case with less handling, and therefore experience less deterioration over time.
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