Letterbooks are filled with a staggering amount of information, indexing all the essential communication a person had during their life. Records of business arrangements, copies of letters, and other important correspondence; the letterbook was an inbox before we had inboxes, a hard drive before hard drives.
Our Furniture Department is thrilled to have performed a complex, multi-step treatment of a Chinese masterpiece. The Imperial Screen was produced as a gift in 1791 during the reign of Emperor Qianlong (1711 - 1799), the fourth emperor of the Qing dynasty who had one of the longest reigns in Chinese history, lasting just over 60 years from 1735 to 1796. The screen came to the United States for display during the 1939 Worlds Fair; The Golden Gate International Exposition in San Francisco. It is now a prized part of the Lizzadro Museum of Lapidary Art in Elmhurst, Illinois.
To kick off the new year, we held an art competition amongst our talented staff this January. Creations were submitted and after our vote, we are proud to share the winning entry from Lead Preparator David Schmitt, the runner up entry by Conservation Services Director Jesus Mejia, and the second runner up from Facilities Manager and Senior Art Handler Alfredo Garcia.
The Allen family lore tells a plausible, if improbable, tale; the antique sword is an heirloom that has been carried by one generation to the next going all the way back to its original owner - Ethan Allen. Specifically, the founder of Vermont, Revolutionary War patriot, and politician Ethan Allen, who lived from 1737-1789.
This year the art world lost an artist whose name had become ubiquitous with the Chicago art scene: Karl Wirsum (1939 - 2021). A graduate of the School at The Art Institute of Chicago and a lifelong Chicagoan (a short teaching stint at Sacramento State University in the 1970's the only exception), Wirsum was a part of the Hairy Who group of Chicago artists in the mid 1960s. Truly, no collection of Chicago art is complete without a work by Wirsum.
The Conservation Center's dedication to the long-term preservation of artworks and heirlooms reaches far beyond the walls of our laboratory. Since 2007 we have published our educational newsletter monthly, sharing hundreds of conservation stories with our subscribers. We also believe in sharing our experience and expertise with professionals whose work intersects with conservation. Through lectures, learning modules, and podcasts, our goal is to help prepare insurance professionals for the day they respond to a claim that includes fine art. We are proud to collaborate with The Property & Liability Resource Bureau (PLRB) to provide their members with continuing education opportunities and would like to share one of those topics with you - Ethics in Conservation.
"I have always liked the painting... it tells a story..."
Is there truly any better reason to display a work of art in your home? Purchased in the 1950s, Portrait of a Woman has been in the family of its current owner for nearly 70 years. Believed to be attributed to 19th-century German painter Philip Vieth, this captivating painting holds many secrets. The woman is looking straight at the viewer with a look of distress, one hand on her head and the other clutching a letter. On the table, interrupting the pattern of the tablecloth is a single gold ring.
When this striking turquoise ceramic bowl arrived at The Center for treatment, it immediately caught the attention of our objects conservator, with its history and character. This dish is low-fired ceramic and finished with a lovely glaze on the interior and half of the exterior with decorative hand-painted bands and curved motifs. Although we are unsure how old this Persian dish is, our conservator's examination showed that this object had survived a long life so far.
Thick or thin, matte or metallic, carved or clean-lines: fine art frames can fade into the background or compete with the artwork it displays for the viewers attention. The frame for The Annunciation does just that, with carvings, oil and water gilding, and yellow and red bole undertones - it truly is a work of art all on its own.
After over a decade in their home, the owner of this Biedermeier table decided it was time to have The Conservation Center’s Furniture Department examine it for treatment. This tilt-top table features walnut veneer, a detailed vine motif boarding the edge of the tabletop, and trefoil legs adorned with transfer decoration of swans, making it a beautiful example of the Biedermeier style. But naturally, after about 200 years, there were conditions issues to address, and the owner determined it would be best to address them proactively before any further deterioration occurred.
How to preserve a personal photograph collection and the history it represents.
Published biannually, Luxury Portfolio magazine features the latest luxury perspectives on Real Estate, Design, Travel and Lifestyle. The latest issue features “Picture Perfect” written by Lisa Klein, an interview with our CEO Heather Becker discussing how to care for your photography collection.
As Jewish heritage spans many countries, cultures, and customs, the ceremonial and ritual objects pictured here are only a few of many permutations and preferences. Nevertheless, they share the same background and prominence in their congregations and households. The conservation of these pieces often had the added task of ensuring that these objects could still be used or ritually displayed, which will also be discussed.
The Conservation Center is honored to partner with the Illinois Patrons of the Arts in the Vatican Museums to treat The Annunciation. Please enjoy this video explaining our second phase of treatment for the piece, included in their five-part lecture series, Rosa Mystica: A Journey of Renewal and Restoration.
President Dwight Eisenhower once said, "Plans are worthless, but planning is everything. There is a very great distinction because when you are planning for an emergency you must start with this one thing: the very definition of "emergency" is that it is unexpected, therefore it is not going to happen the way you are planning."
The team at The Conservation Center couldn't agree more. Disaster preparedness plans are often modified the moment they are put into action. Still, we know from years of experience that those who plan for likely scenarios are better positioned to respond to the unexpected.
Glass, Paint, Metal - It's always an exciting day when an unusual mixed media object arrives at The Center for treatment. One hundred sixty-two painted glass panes set in a series of metal channels come together in this early 20th-century terrestrial globe light fixture. Measuring nearly 3 feet in diameter, this light fixture needed several issues addressed before it was ready to take back its place of prominence at the center of the room.
Doris Lindo Lewis was an artist with many different stylistic interests, perhaps due to her mixed cultural heritage and experiences living in Costa Rica, Cuba, Jamaica, and the United States. She started with traditional oil landscapes, experimented with surrealism and charcoal portraits, and ended her career with abstract expressionism. Art from her surrealist period is particularly loved; the Boston Museum of Fine Arts, the National Gallery in Washington, D.C., and LACMA are among the major art museums to boast a surrealist Lewis piece in their collections.
Showcasing the beauty of antique furniture in your home décor can provide depth and warmth in a way that modern designs cannot match. The aged fabrics, custom finishes, fragile design details, and the maker's hand create a unique character that adds to the item's history and charm. However, age and history also require a certain level of consideration when putting antique furniture to day-to-day use.
Ever since photography became the favored medium of memory, painted family portraits became rare. These portraits are special heirlooms that deserve to be cherished and maintained for generations. A recent client of ours shared this belief and he and his family sent a portrait of their great great-great-grandmother to The Center for treatment.
Chinese Buddhistic Lions are symbols of feng shui that were traditionally placed in front of Imperial palaces and temples. Also called Imperial Guardian Lions, they can be a special addition to any private collection. They are usually bought and displayed in pairs—one male and one female. The male lion is identified by a globe under its paw, and the female likewise has a cub.
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